While it's not available all over the world yet, the Kinefinity KineRAW S35 has made some serious noise across the filmmaking community, because it's poised to disrupt the industry in a similar way as the (not yet shipping in volume) Blackmagic Cinema Camera. At a base price of $6,000 ($7K-$8K for a working package), the mostly non-proprietary 2K 12-bit Super 35mm uncompressed and compressed RAW camera is matched in specs (in this price range) only by the no-longer-available RED ONE MX. Specs are really only part of the equation, however, and it's the actual image the camera produces that is arguably more important. Thanks to Matt Allard at DSLR News Shooter, we've got a fantastic idea of what this camera is capable of with his short film The Iron Psyche.
Here is Matt's description of shooting the The Iron Psyche. The footage was all recorded in Cineform RAW and the slow motion shots were with the Sony FS700, not with the KineRAW:
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The camera used was an engineering sample and not a production model.
It was edited in Adobe Premiere and the sound mix was done in pro tools.